We, the Audience
A report in the recent McKinsey Quarterly highlights some rather interesting figures for believers in social media. You’ll recall the one percent rule - that only 1% of the visitors to social media sites actually contribute original content, and only 10% contribute anything whatsoever.
According to research conducted across a number of projects, one percent is a lot lower than the truth, though these figures vary quite considerably depending on the nature of the site, as you’d expect:
What does this graph mean? It means that on flickr, for example, 95% of the photos are uploaded by 2% of the users. On del.icio.us, that figure rises to 62% of the content being created by 10% of the users (NB: www.delicious.com works equally well, fellow mis-spellers). A site that was very participative would be in the right side of the graph. One that was more inclined towards the creation of content by the few and consumed by the many would be in the top left. Since the horizontal scale only goes up to 12%, and the highest-scoring sites only get 10%, it suggests that for all these sites, the idea of co-creation between all the members of those communities is a myth.
Good. If I go onto flickr to look at photos, then I don’t want to be assailed by holiday snaps or stag-do’s. I want to see work created by people who are passionate about and very good at photography. The sort of people who carry around a camera all the time, and upload dozens a week. The trouble is that the leading photographers are self-appointed, but it appears to be the case that on flickr, the people with the passion and commitment to contribute on a very regular basis also happen to be quite talented.
There’s also another point to be made about volume. I use flickr a bit: but I only take about 50 photos a year, though, so I’m most certainly not part of that 2%. However, I would consider myself a contributing flickr user - the graph sort of suggests that you have to be in the 2% to count. And I don’t think you do. If I produced one article for Wikipedia, then I wouldn’t be part of the 2.2% shown as the data point on the graph, but I’d still be a Wikipedia contributor. Volume isn’t the same thing as engagement or identification with a site or service.
So this one percent rule. It’s more or less true, if you’ll allow that the difference between 1% and 10% is fairly academic. But the thing is that it’s not actually as important as it seems at first sight. If the one percent suddenly left to go to a different site, then the 99th percentile would simply become the new one percent. They’re all using the sites, with a long-tail decline in most cases when it comes to the volume of their contributions. Where a developer or publisher makes their money would determine where they put their effort. If they charge for publishing, like flickr, then making it easier/faster/better for those people, the two percent, to upload and work with their photos would be important. On an advertising model, keeping the other 98% percent coming back would be more important: that might actually entail making sure the two percent are happy and contributing away, of course.
The other thing is that the one percenters are changing all the time. Good blog entries with original thought that appeals to my tastes and interests probably account for about 10% of whatever is in my feedreader at any one time. Unfortunately, it’s never the same 10%, so I can’t just unsubscribe from the crap blogs. The likes of digg and delicious and other media aggregators can do a rough job of separating the wheat from the chaff, but because ‘the average digg user’ has different tastes to me, it doesn’t really work. Other apps such as thoof, particls and rootly claim to be able to edit the news depending on what you actually read, but they haven’t won my trust not to miss really interesting items - often, an item is really interesting because it’s unlike everything else you’ve read recently.

The other very good - but slightly scary - thing about 



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